The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.
A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
The story of America's rise to power starting with 1959, using archival footage and US pop music to highlight the consequences to the rest of the world and in the peoples' minds.
Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.
The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance collaboration created by artist David Wojnarowicz and composer/musician Ben Neill in 1989.
The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images.
Dough-crazed mercenaries Sammy and Klaus are on a mission to escort the seriously ill prime minister of a South American country that has just been taken over by the rebels to his buddies over the border.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
