In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan.
After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
Faraway Sunset tells the story of the famed bacteriologist who is known to have discovered the agent that cause syphilis, and for his relentless search for a cure to yellow fever.
In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.
Love story between a student and girl whose parents are itinerant entertainers. Set in Japan in the 1920's.
Alternative movies trailers for Yumeji
More movie trailers, teasers, and clips from Yumeji:
Yumeji Official Film Trailer
Part of director Seijun Suzuki's absurdist Taisho trilogy this surreal tale follows 1920s painter Yumeji Takehisa (Kenji Sawada) who strays from his lover when ...
Yumeji - Trailer
Yumeji (1991) imagines the real-life painter-poet Takehisa Yumeji's encounter with a beautiful widow with a dark past. 1991 Arrow Video.
Yumeji 「夢二」 - Trailer 予告編
1991 D: Seijun Suzuki 鈴木清順.
Yumeji (1991)
One of the countless exquisite sequences taken from the 1991 masterful surreal kinda biopic 'Yumeji' directed by the late Seijun Suzuki which revolves around ...
Yumeji (1991) 'Yumeji's Theme'
Dir. Suzuki Seijun.
夢二 (Yumeji 1991) Tracking Shot
Dir. Suzuki Seijun.
Popular movie trailers from 1991
These some of the most viewed trailers for movies released in 1991:
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids.
Claude, a militant anarchist, is caught stealing and is shot by a policeman while fleeing the scene. Dodo, a hairdresser, is hit by one of the stray bullets.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.