A woman sells tickets in an art-decó cinema, as voices from a passionate melodrama float through the foyer, disembodied. The proyection’s assistant, reflected and distorted in a mirror, becomes the focus of her romantic dreams. When the mirror shatters, the film moves to an inevitable tragic conclusion.
Writes Kuchar: "It was my 50th birthday this year (1992) and my friend's birthday, so I explored our position in time and dusty place with a prognostication on future inertia.
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Buddhist monks Kampala (Golden Casmara) and Targhu (Hans Wanaghi) are traveling around seeking knowledge and expanding their martial arts skills in the lands they visit.
Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.