Cazibe (Hale Soygazi) is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother (Suna Selen) and her uncle (Macit Koper) who feels an attraction towards her. The only thing which is private to her is her projector machine, which she keeps in a room at the roof of the house. Whenever she gets free time alone she goes to the room, sits on her rocking chair, switches on the projector and meets the boy she loved when she was at school, in her dreams. However, she believes that these are not dreams but that they are real, she really meets the boy whenever she switches on the projector. One day, a political criminal (one of her neighbors) come to their house at night to hide out. Cazibe thinks that he is the man in her dreams and makes love with him that night. The other day, the man leaves just with a note, and Cazibe loses her mind and starts to do strange things at home.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways.
When shadowy U.S. intelligence agents blackmail a reformed computer hacker and his eccentric team of security experts into stealing a code-breaking 'black box' from a Soviet-funded genius, they uncover a bigger conspiracy.
A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present, and future.