1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.
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Edward Shelganov Director
Konets Sankt-Peterburga, ili Novyy Ikar, 1992 Trailer
Russia 01 January 1992
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Have you watched The End of St. Petersburg, or New Icarus yet? What did you think about it?