Film poem by Tony Harrison which takes the figure of the Gorgon as a metaphor for the "freedom-fixing politics" which have been responsible for so much conflict this century. It starts in 1992 Frankfurt where Harrison speaks through the mouth of the statue of the German Jewish poet Heinrich Heine. At Corfu in Greece he tells of the link between Heine, the Greek Gorgon and Kaiser Wilhelm II.
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
A young architect has a double life: he has a beautiful wife and a sexy mistress. His friends advise him to choose one, but this three women gives meaning to his life, including his nosy mother-in-law.
Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.
