ince the 1970s, Robakowski has been experimenting with the category of the author, transferring the authorship of his works onto the film camera. Implementing the strategy of biological-mechanical records, Robakowski continues his experiments, carried out since the 1970s, consisting in the transfer of the authorship of the film onto the film camera, as well as initiates relations between the mechanical medium and the human organism. On the one hand, it embraces collaboration, on the other, human struggle with the machine, extending from the “integration” of its logic and the attempts at its “anthropomorphisation”.
CRISP., wherein a jealous man's attempt to steal a delicious apple crisp causes reality to break down and begins a chain of events leading to an endless cyclical loop of jealousy and theft.
Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.
While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation.
Interviews with celebrities such as Joan Baez, Jackson Browne, Dennis Hopper and Willie Nelson examine the remarkable career of actor-performer Kris Kristofferson, who successfully bridged the gap between Hollywood and Nashville.
Wrongfully convicted of murdering his wife and sentenced to death, Richard Kimble escapes from the law in an attempt to find the real killer and clear his name.
Billy and Jack are modern-day Robin Hoods who engage in petty scums to earn money for the upkeep of a daycare center for indigent and underprivileged children.
A cynical TV weatherman, along with his idealistic producer and his sardonic cameraman, is sent to report on Groundhog Day in the small town of Punxsutawney, where he finds himself repeating the same day over and over.
