ince the 1970s, Robakowski has been experimenting with the category of the author, transferring the authorship of his works onto the film camera. Implementing the strategy of biological-mechanical records, Robakowski continues his experiments, carried out since the 1970s, consisting in the transfer of the authorship of the film onto the film camera, as well as initiates relations between the mechanical medium and the human organism. On the one hand, it embraces collaboration, on the other, human struggle with the machine, extending from the “integration” of its logic and the attempts at its “anthropomorphisation”.
CRISP., wherein a jealous man's attempt to steal a delicious apple crisp causes reality to break down and begins a chain of events leading to an endless cyclical loop of jealousy and theft.
Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.
While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation.
A blind female assassin lives alone in a remote house; her superiors occasionally send her "clients" / targets that she shoots right after having sex with them in her completely darkened bedroom.
This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.
Just before the advent of the Great Depression, Henry Ford controlled the most important company in the most important industry in the booming American economy.
