Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and his fascination with this "giant ridge" that he characterizes as the "Asian time preserve of Russia." This is followed by thoughts about the past, present and future of opera and theater. He thinks that in earlier times opera could be a vessel for utopia, but now it is like a fraudulent enterprise: "When everything has been said, the voices become soft and then the opera comes."
A woman with ‘no name and no country’ in search of a sense of belonging. Asked to write a script about her own experience, she constructs an ‘autobiography’ which is partly fiction.
This is a standalone movie, based on the long-running television series about Shogun Yoshimune. When the very foundation of the government is shaken by a counter-feiting scandal, Shogun Tokugawa Yoshimune must take to the road as an itinerant ronin in order to find out who's behind the conspiracy.
This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.
As part of the film's promotion, a mockumentary was aired on HBO. Titled Hearts of Hot Shots! Part Deux—A Filmmaker's Apology, the mockumentary parodied Hearts of Darkness: A Filmmaker's Apocalypse, the 1991 documentary about the making of the film Apocalypse Now (which starred Charlie Sheen's father, Martin Sheen).
Based on the poetry of Alejandra Pizarnik, ”Vertigo, or contemplation of something that falls”, tells the story of the writer's life through stories from her family, friends and admirers.
