“Bilderbuch für Ernst Will” is an electronic rendering of a form of proto-televisual iconomania: the creation of haphazardly sourced private pictorial scrap books or 'bilderbuch'. Often intended for the surprise, delight and edification of grandchildren by grandparents, these books had the analogical potential to become flamboyant transmogrifigations of the detritus and sequestered oddments of the great age of print in the later half of the 19th century.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
This short children's film by Co Hoedeman tells the story of 2 children and their encounter with an angry dragon, all represented by colourful building blocks.
As part of the film's promotion, a mockumentary was aired on HBO. Titled Hearts of Hot Shots! Part Deux—A Filmmaker's Apology, the mockumentary parodied Hearts of Darkness: A Filmmaker's Apocalypse, the 1991 documentary about the making of the film Apocalypse Now (which starred Charlie Sheen's father, Martin Sheen).
After 300 years of slumber, three sister witches are accidentally resurrected in Salem on Halloween night, and it is up to three kids and their newfound feline friend to put an end to the witches' reign of terror once and for all.
Billy and Jack are modern-day Robin Hoods who engage in petty scums to earn money for the upkeep of a daycare center for indigent and underprivileged children.
Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids.
This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.
British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
An abusive husband is angered that his wife is having trouble conceiving a child. One night, after leaving his house following a fight, she overdoses on pills.
