If "light" is the protagonist of film, the idea would not change if "darkness" replaces "light". Yoshimoto proves this point with most simplicity. Placing a tiny point of ray in pitch black, his darkness achieves a limitless depth. This style goes under trial from around 1988 – a squirming object in drowning darkness goes through a transition from a solid machinery part to a soft Japanese architectural fixture to a misty female figure. Each of the objects, a subject of fancy, is placed in good balance, mingling with Rei Harakami's sound effects. This is one of Yoshimoto's most intense works.
Billy and Jack are modern-day Robin Hoods who engage in petty scums to earn money for the upkeep of a daycare center for indigent and underprivileged children.
He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses.
Interviews with celebrities such as Joan Baez, Jackson Browne, Dennis Hopper and Willie Nelson examine the remarkable career of actor-performer Kris Kristofferson, who successfully bridged the gap between Hollywood and Nashville.
A gruesome look into the infamous and seemingly neverending 1991 Vizconde murder case in the Philippines where a woman, her teen daughter, and a 6-year-old were all viciously stabbed to death while the husband was away in America on business.
An interesting attempt at a postmodern crazy comedy with elements of parody. The plot turns on the search for the recipe of a liqueur made by the film’s financial backer.
This is a standalone movie, based on the long-running television series about Shogun Yoshimune. When the very foundation of the government is shaken by a counter-feiting scandal, Shogun Tokugawa Yoshimune must take to the road as an itinerant ronin in order to find out who's behind the conspiracy.
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