A filmic analogy for the elusiveness of the past. The operations of unconventional printing techniques representing the processes of memory. The film begins with 8mm home movies laid in a jumble over 16mm stock and exposed with a flashlight, and ends with the home movies run through a 16mm contact printer.
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on two Indigenous Latino American half-brothers Paco and Cruz, and their bi-racial (half-Indigenous Latino American and half-European American) cousin Miklo.
Condominium residents are terrified when they learn that two of their neighbors have been brutally raped and that the culprit may be living in their midst.
An interesting attempt at a postmodern crazy comedy with elements of parody. The plot turns on the search for the recipe of a liqueur made by the film’s financial backer.
"A group of crazy teenagers break into an abandoned old theater and kill the owners. They dump their bodies in the basement and wake up the Cannibal Demons that have been locked there for over a hundred years.
Tired of scaring humans every October 31 with the same old bag of tricks, Jack Skellington, the spindly king of Halloween Town, kidnaps Santa Claus and plans to deliver shrunken heads and other ghoulish gifts to children on Christmas morning.
Just before the advent of the Great Depression, Henry Ford controlled the most important company in the most important industry in the booming American economy.