The thrill of cocaine becomes a metaphor for the consumption of images in this short montage. The title and lyrics come from Auder´s friend and 2001 Prix Goncourt winner Jean-Jacques Shuhl. The piece is composed entirely of still photographs from a variety of books and magazines that simultaneously reveal and feed an addiction to spectacle. With a source that is once removed, Auder's scopophilia is symptomatic of society at large. The song is performed by legendary chanteuse Ingrid Caven. Suffused with a bittersweet melancholy, Canven's seasoned voice compliments Auder's selection of images which dwell on the themes of death, destruction and desire.
The melody is classic cabaret performed by a piano/violin duo who dramatically heighten the works already dark eroticism.
On one May day in 1864, N. G. Chernyshevsky, a writer and revolutionary democrat, was declared a state criminal and sentenced to hard labor in Siberian mines.
He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses.
Today‘s eastern Slovakia. The historian Rimko returns here after many years with his young lover to search for answers to the difficult questions of his own life attitudes, mistakes and moral debts in the land of his childhood.
When a woman dies in a supposed accident, her parents suspect their son-in-law of foul play. When the police begin to agree, the murder suspect vanishes.
Condominium residents are terrified when they learn that two of their neighbors have been brutally raped and that the culprit may be living in their midst.
