Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.
Adam and Ella's application for a license to procreate is in the final stages of review. The only thing standing in their way is the bureaucratic license clerk, and a spot-on performance.
Images from the past are projected onto the left-behind spaces of the present in a poetic act of haunting and resurrection as the filmmaker tries to recreate the memory of her grandmother.
A story of children who feel safer in the streets than at home, about children seeking out sturdy lifeboats that cross between the world of fantasy and the harsh reality of life.
Alyssa wakes up in a home that's not hers and discovers a dead body. With no memory of how she got there, and no idea of who he is, Alyssa tries to piece together what exactly happened the night before.
Toward the latter part of his life, George Balanchine talked about creating a "dictionary" of his technique, a visual reference for the students of ballet.
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking.
On Christmas Eve, a Glasgow grandmother tells her grandchildren the story of how she met Elvis Presley in March 1960 when he stopped off at Prestwick Airport on his way back from Germany to America.
Peter Sandmann, the charming owner of a marriage institute, is a brilliant matchmaker. His problem: all the candidates would love to share a table and bed with him straight away, but the lively mini-playboy is extremely reluctant to exchange rings.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper.
Pamela Sutch (Rana) stars as an unfortunate cheerleader who stops to eat at Zulu Charlie’s, little realizing that she’s going to be a big part of the meal! Pam is stripped to her underwear and then cooked over a sizzling barbecue.
