Mikala Dwyer's video Cut (1994) uses an editing device called the "jump cut" to establish a dialogue between two seemingly unrelated subjects: meat processing and television hardware. The industrial machinery that processes meat speaks to the physical world of modernism and can be seen in contrast to screen-based technologies of post-modern networks, referenced by the video cabling that the work focuses on.
A revealing and often ribald look at the seaside resort where people can let their hair down, whether in the sedate atmosphere of the Tower Ballroom or on the world's biggest and fastest rollercoaster.
Peter Sandmann, the charming owner of a marriage institute, is a brilliant matchmaker. His problem: all the candidates would love to share a table and bed with him straight away, but the lively mini-playboy is extremely reluctant to exchange rings.
Vijay becomes the guardian of his sister's three orphaned kids. Later, the children give shelter to Vaijayanthi, a girl trying to escape an arranged marriage, without their uncle's knowledge.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden.
This film is based on the actual events referred to as the "Mühlviertler Hasenjagd" (Hare-hunt in the Mühlviertel) which occurred in February 1945 around the Mauthausen concentration camp.
