The Obersalzberg was an ordinary Bavarian mountain until Adolf Hitler discovered it in 1923. There at the Berghof, the Nazi leader spent his time surrounded by his most faithful lieutenants and his mistress, Eva Braun.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy.
Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”.
In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel.
On Christmas Eve, a Glasgow grandmother tells her grandchildren the story of how she met Elvis Presley in March 1960 when he stopped off at Prestwick Airport on his way back from Germany to America.
The story begins when a photographer, Haris accidentally met his brother, Irwan in a dinner. They met with Chloe managed to catch a thief after her handbag.
This film is based on the actual events referred to as the "Mühlviertler Hasenjagd" (Hare-hunt in the Mühlviertel) which occurred in February 1945 around the Mauthausen concentration camp.
A revealing and often ribald look at the seaside resort where people can let their hair down, whether in the sedate atmosphere of the Tower Ballroom or on the world's biggest and fastest rollercoaster.