“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes. World War II was a condensation of violence (biological and environmental destructions, racism, ethnic clearing, and persecution of people who are different…) and ongoing wars perpetuate that violence. This work is a metaphorical representation of all past, present and future wars. Constructed on the dramatic tension between the violence of wars and the presence of the intersex hermaphroditic “Angel”: Their eyes are bandaged; they are a symbol for difference, having an ambiguous position: observer, witness, victim or judge.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
A man searches for his childhood best friend, a Polish violin prodigy orphaned in the Holocaust, who vanished decades before on the night of his first public performance.
How many times did a miracle come to the pragmatic clerk Savushkin - and each time he brushed it off, and then powerlessly watched how the miracle and happiness go to another.
A man from India was staying in one of the villages. After a wonderful time spent with the friendly owners of lands far from his home, he returned to his homeland, and to please those who liked him so much, he sent a real elephant with the help of a delivery service.
A woman wanders in a big and empty parking lots following a man who she seems to want to ambush. From her gestures something furious and menacing emerges.
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes.
Exactly one year after young rock guitarist Eric Draven and his fiancée are brutally killed by a ruthless gang of criminals, Draven, watched over by a hypnotic crow, returns from the grave to exact revenge.
Young lion prince Simba, eager to one day become king of the Pride Lands, grows up under the watchful eye of his father Mufasa; all the while his villainous uncle Scar conspires to take the throne for himself.
Vijay becomes the guardian of his sister's three orphaned kids. Later, the children give shelter to Vaijayanthi, a girl trying to escape an arranged marriage, without their uncle's knowledge.
Sayoko had a hidden side. Sayoko was assaulted by her boss, Kamijou, and she continued their relationship, and Kamijou's sexual play turned her into a woman.
In 1993, Paul Rodgers released the acclaimed blues based album Muddy Water Blues (now available on Eagle Records) with contributions from many special guest artists with a shared love for the blues.
