The small suburban Hazuki Inn was run by a reliable and hardworking proprietress, Kana. Her husband, Satoshi, was a playboy and a lazy husband who spent all his money on gambling and women. The Hazuki Inn was also a merchant's inn where salesmen stayed, but a large part of its business was as a place to bring couples.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku.
A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.
16-year-old Tachiko (Kimiko Asuka) discovers the true nature of her father's wife, Fumie (Michiko Sakyo), who is after the fortune of the company president, Gozo (Keisuke Senda), and recommends divorce to him, but she is kidnapped and her virginity is stolen by Hayata (Ryoichi Amano) who is colluding with Fumie.
A comedy-porn film depicting the antics of Yuka—a female college student forced into a men-free girls' dormitory attached to a convent after her strict father put an end to her relationship with her boyfriend, Tanaka—and her fellow residents.
This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
A standard pinku-eiga entry from prolific cult director Hisayasu Sato, this softcore melodrama centers on a successful female magazine editor with a handsome fiancé.
A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.
On Christmas Eve, a Glasgow grandmother tells her grandchildren the story of how she met Elvis Presley in March 1960 when he stopped off at Prestwick Airport on his way back from Germany to America.
Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant.
Returning home with his father after a shopping expedition, Wong Fei-Hong is unwittingly caught up in the battle between foreigners who wish to export ancient Chinese artifacts and loyalists who don't want the pieces to leave the country.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper.
