"Lyrical and full of mirth, this filmmaker wonders out loud in her first film: 'How do I make myself at home in a landscape made foreign to me?' Wilkinson looks at her self - black - and ponders in the white landscape called Canada how can she 'enjoy the flowers' as she cartwheels with great panache through fields of them. What kind of relationship to the land can she have in a place where she sees herself but where others constantly ask: Where are you from? Wilkinson's existence vis a vis the land seems to lie somewhere in between the extreme long shots and the close-ups that make up the film, giving at once the feelings of intimacy and estrangement." - Marian McMahon
Ohrid, 4th of may 1980. Marko, son of the cook in the Marshal's villa, get's a chance to try the food that has been cooked in front of his eyes all his life.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors.
Batman faces off against two foes: the schizophrenic, horribly scarred former District Attorney Harvey Dent, aka Two-Face, and the Riddler, a disgruntled ex-Wayne Enterprises inventor seeking revenge against his former employer by unleashing his brain-sucking weapon on Gotham City's residents.
When a man's daughter is suddenly taken during a championship hockey game – with the captors demanding a billion dollars by game's end – he frantically sets a plan in motion to rescue her and abort an impending explosion before the final buzzer.
