Gravity & Grace may be writer and critic Chris Kraus’ final and exuberant attempt at an artists’ career. Kraus is best known for her novels, (I Love Dick, Aliens & Anorexia, Torpor and most recently Summer of Hate), her art criticism (Video Green, Where Art Belongs), and her work in publishing subjective narratives through Semiotext(e)'s Native Agents Series, which she founded. Prior to writing, Kraus was an artist, actress and filmmaker. She made short, experimental, low-budget films, and one feature, Gravity & Grace; its failure on the market is chronicled in detail in her book Aliens & Anorexia.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors.
Identical 9-year-olds from very different backgrounds: orphaned Amanda and wealthy Alyssa meet at summer camp and decide to switch places -- and play matchmaker between Alyssa's dad, Roger, and the kind social worker who cares for Amanda.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities.
Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Said -- a Jew, African, and an Arab -- give human faces to France's immigrant populations, their bristling resentment at their social marginalization slowly simmering until it reaches a climactic boiling point.