A film from the "Impressions" series, made using a combination of techniques. It presents the work of Dutch painter Piet Mondrian through documentary photographs from the era in which he lived and worked. The director shows the evolution of the visual arts at the beginning of the 20th century from Fauvism to geometric abstraction using Mondrian's paintings as an example. The artist's philosophical journey into abstraction, which for Mondrian was a confirmation of the superiority of the mind over the senses. The artist's works are woven into the turbulent history of the early 20th century, full of historical events and civilizational changes.
The wind swirls up dust in a desert landscape. The picture is followed by images of clouds racing over the skyline of a city, of reflections on an expanse of water, of waves breaking over an embankment and of row upon row of burning candles.
Patty Duke plays a divorced woman who goes to law school to defend herself in court after a chauvinistic judge awards her rotten husband their property.
In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers.
An unexpected meeting on a train leads two travelers to spend an evening wandering through Vienna. As the night unfolds, they share stories and conversations about life and love, exploring new ideas while a quiet intimacy grows between them, knowing it may be their only night together.
Marcus Burnett is a henpecked family man. Mike Lowrey is a footloose and fancy free ladies' man. Both Miami policemen, they have 72 hours to reclaim a consignment of drugs stolen from under their station's nose.
Political satire about the billion-euro loan to the GDR in 1983, which was arranged by Franz-Josef Strauß and Alexander Schalck-Golodkowski to save a bankrupt bank.
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