In A Sense of the End he films six alternative endings in long shot - the man rushing to catch up with the train that bears the woman away; the gunshot victim faltering and finally collapsing in an urban wasteland. Each conclusion functions as a kind of film-without-a-film: pure climax that requires no build-up. Lewis makes a similar feature of opening titles.
When rogue stealth-fighter pilot Vic Deakins deliberately drops off the radar while on maneuvers, the Air Force ends up with two stolen nuclear warheads -- and Deakins's co-pilot, Riley Hale, is the military's only hope for getting them back.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
In this contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.
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Have you watched A Sense of the End yet? What did you think about it?
