Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
