Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.
Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another's motives for joining, living, and surviving under the control of their Leader.
The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to.
A woman watches time pass beside the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him.
A busload of tourists in the mountains. After a short pit stop, the group notices someone is missing. With the impossibility of leaving them behind, especially in the harsh environment, the group starts to doubt and becomes impatient. But who has actually disappeared?
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
