Join Charlie (voiced by Steven Weber) and his canine friends Itchy (Dom DeLuise), Anabelle (Bebe Neuwirth) and Sasha (Sheena Easton) on another round of hair-raising adventures in this collection of episodes from the popular animated series, based on the 1989 Don Bluth film. A foursome of episodes focusing on the theme of friendship includes "Field Trip," "Cyrano de Barkinac," "Mutts Ado About Nothing" and "Heaventh Inning Stretch."
As Stitch, a runaway genetic experiment from a faraway planet, wreaks havoc on the Hawaiian Islands, he becomes the mischievous adopted alien "puppy" of an independent little girl named Lilo and learns about loyalty, friendship, and ʻohana, the Hawaiian tradition of family.
When a casino-owning dog named Charlie is murdered by his rival Carface, he finds himself in Heaven. Wanting to get back at his killer, he cons his way back to the living with the warning that doing so damns him to Hell.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Years ago, there was a place called The Land of Point, because everything in The Land of Point had one: the barns, the houses, the cars, everything, even the people.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
An old tango singer tries to contact his teenage son. A woman who is death or the Devil appears to him and asks him to sell his soul to connect with his son again.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
