Jayaprakash, a man from a modest background, begins his career as a taxi driver and gradually rises through determination and hard work to build a successful business empire in Mumbai.During this journey, he rescues a woman from a dangerous situation and later marries her. However, as his professional commitments grow, he finds himself increasingly unable to devote time to his personal life, leading to strain in his relationship. The film explores themes of ambition, success, and the impact of career-driven choices on personal relationships.
A humble man returns from his hard-working job overseas to his hometown in India to run a French Cafe located in a place that clashes with old values and contemporary mindset.
Ranjini Menon, an investigative journalist in a newspaper, runs into trouble after reporting the atrocities of Sharma, a millionaire and an industrialist.
‘Marakkar Lion of the Arabian Sea’ portrays the courageous life-events of a rebellious naval chief, Kunjali Marakkar the fourth, who fought against the Portuguese in the ancient times.
After SI Vyshakhan commits suicide at the police station following his failure to take control of the law and order situation, Inspector K takes charge at Nanjankode.
Circle Inspector Shambhu's strict actions against law offenders have earned him a lot of enemies. Shambhu is of the opinion that suspension, punishment and transfer are a part of his job.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
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Have you watched April 19 yet? What did you think about it?
