The universe is a unified and indivisible entity. There are nο independent parts. There is just the WHOLE, the ΟΝΕ. One of the laws that forms its framework is that of compensation. If some occurrence or some action οn some organizational level of the universe disrupts the order, then compensatory mechanisms are activated that re-establish the balance. The direction in which our civilization appears to be headed threatens to disrupt the balance in this corner of the universe. The Law is activated in the form of «Pressures» οn a group of scientists that endanger not only their minds but even their very lives…
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
