On the highway of life, Jerry's at a dead-end. Unemployed and still living at home with his parents, this thirty-three year old loser has no drive to better his life.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.