With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery.
The frustrated housewife Leslie visits an animal shop to purchase a flea-collar. Unknowing that the owner is a werewolf, she accepts his invitation to lunch and later in his apartment.
A horror short film, in he style of a Goosebumps episode, revolving around a girl grounded in a house on Halloween that seems to be plagued by a monster mimicking her boyfriend.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.