Featuring behind-the-scenes footage and unprecedented access to its hallowed halls, this program from National Geographic takes viewers on an in-depth tour of 1600 Pennsylvania Avenue -- the White House. Interviews with presidents and first ladies offer a revealing look at what goes into running that famous household, and White House employees give viewers a taste of the preparations involved in hosting a state dinner.
An intimate insider’s journey to uncover buried truths and explore how the community in Monroe, Georgia has been impacted by the 1946 quadruple lynching and decades of racial injustice, shattering a code of silence that has distanced neighbor from neighbor for generations.
An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.
Comprised entirely of archival footage taken during those pre-reality-television years, The Reagan Show looks at how Ronald Reagan redefined the look and feel of what it means to be the POTUS.
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F.
A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
