"Jethro: Not For The Vicar" is a comedy special that features the inimitable humor of British comedian Jethro. In this uproarious performance, Jethro presents his trademark blend of rural wit, observational humor, and charming storytelling. The special takes the audience on a humorous journey through the quirks and idiosyncrasies of rural life, offering a delightful glimpse into the world of the countryside. Jethro's humor is characterized by its down-to-earth style and his ability to find hilarity in the ordinary and everyday situations.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
When vengeful General Francis X. Hummel seizes control of Alcatraz Island and threatens to launch missiles loaded with deadly chemical weapons into San Francisco, only a young FBI chemical weapons expert and notorious Federal prisoner have the skills to penetrate the impregnable island fortress and take him down.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
