In Kae, Act Like A Girl, Idemitsu continues her experimental narrative exploration of women's roles in contemporary Japan with a tale of women's liberationist awakening. Here she presents a young female artist's conflict with the traditional, patriarchal expectations of women in Japanese culture, in which men are privileged and women are groomed to be wives and mothers. Within Idemitsu's narrative, video screens and images represent the protagonist's inner struggle — memories, conscience, familial pressure — as she subordinates and then ultimately achieves her personal and artistic desires.
Mari is a high school teacher who is earnest and somewhat cold. Tired of her monotonous days, she discovered a secret game: wandering around Roppongi at night and seducing men.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena.
This is a criminal act. But I can't stop crying !! Chapter 3 Continue ... I want it. The art teacher's finger is a magical ubi! Elevator girl, days of lust for school girls to seek "indecent" ?! Kyoko, an elevator girl who was surprised when she was molested on a commuter train.
Muhammad Ali. He is known as the most thrilling athlete of all time... he is known as The Greatest. The remarkable story of how he became one of the most loved, hated, intriguing, and controversial figures in American history is brought to life in the 6-hour series, Muhammad Ali: The Whole Story.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
