Khongchat (meaning "journey" in Manipuri) chronicles the life of a simple village dweller guy named Ta Tomba (Olen) who for the first time goes to Imphal city. He comes across and tries to adapt to many new things there most importantly the city people who try to take advantage of his innocence. After he lands a job as a helper in a family, Tomba not only faces the harsh class disparity but also loses his love interest.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
During the general elections of 1994, Tunin, a mechanic with a firm belief in communism fears that his party is about to lose, so he journeys to a northern village to stir up trouble.
Mari is a high school teacher who is earnest and somewhat cold. Tired of her monotonous days, she discovered a secret game: wandering around Roppongi at night and seducing men.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
