Meet Ralph Whittington, who amassed one of the largest private collections of pornography ever. His collection can now be seen and studied at the Museum of Sex in New York City. Produced by Jeff Krulik. Premiered at AFI Theater, Kennedy Center, Washington DC as part of the I QUIT MY DAY JOB FILM FESTIVAL in 1996. –JK
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean.
Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends.
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.
In this documentary short film, a U.S. Army lieutenant instructs soldiers in how to prepare for new and interesting jobs in civilian life after the war.
Alternative movies trailers for King of Porn
More movie trailers, teasers, and clips from King of Porn:
Los Federales "King of Porn" 1996 Club Congress Clip 22
Los Federales "King of Porn" 1996 Club Congress Clip 22.
Popular movie trailers from 1996
These some of the most viewed trailers for movies released in 1996:
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
On the highway of life, Jerry's at a dead-end. Unemployed and still living at home with his parents, this thirty-three year old loser has no drive to better his life.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.