With James Levine at the helm, Verdi’s multi-faceted masterpiece is revealed as a drama of almost Shakespearean proportions. Superstar Plácido Domingo takes on he demanding role of Don Alvaro, the outcast whose noble gesture unwittingly sets the wheels of fate in motion and destroys an entire family. Sharon Sweet is Leonora, the woman he loves, and Vladimir Chernov singe her vengeful brother Don Carlo, whose twisted hate is all-consuming. Roberto Scandiuzzi is the benevolent Padre Guardiano.
Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season.
Live performance from Schwetzinger Festspiele, 1992.
Based on Voltaire's tragedy, TANCREDI is a story of innocence wronged set against a backdrop of Turks at war with Syracuse.
Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions.
Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018.
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
