A film gleaned via the optical printer from a home market movie made in the late 1930's about a chimpanzee's high adventures in an amusement park at Coney Island. Central weight is given to the chimp's inscrutable gaze, indicating psycho-emotional territories informed by peculiar details that haunt the original. The resulting film is a slighlty hypnotic and open-ended parable about coming of age in a shifty world of slipping terms. LAST LOST is a silent film in spirit, trying to speak without words, like some dreams. (...) The primate of Heller's confabulation brings both peace and a sword. The reviving spirits that he releases are not easily compatible with the order of things, and such newfound awareness doesn't necessarily provide the keys to the kingdom but rather a profound uneasiness with the staple amusements and short circuitry of this provisional world.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
