LOOKING FOR MUSHROOMS (1959-1967) is a psychedelic travelogue film that documents a series of “trips” through rural Mexico and urban America. Conner combined street views of San Francisco shot in the late 1950s with scenes of rural Oaxaca captured during his “mushroom-hunting” excursions between 1961 and 1962, when Bruce and his wife, Jean, were living in Mexico City. On at least one of these trips, the Conners were joined by Timothy Leary, the ex-Harvard professor and soon-to-be leading proponent of psychedelic drugs. In 1996, Conner revised the film once again: he used an optical printer to expand its length from three to fourteen-and-a-half-minutes, and added a new soundtrack, Terry Riley's "Poppy Nogood and the Phantom Band," to create a more meditative, but no less hypnotizing, iteration of the mushroom hunt.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
When the girl they call "the dog" leaves their school for good, Pauline and her gang decide to choose for themselves a new pet hate, in spite of their friend Julie's warning.
Inspired by true events, this raw Australian horror follows 2 sisters on a hiking trip gone wrong, when they realise they aren't alone in the Victorian High Country.
To avenge his murdered best friend, top agent Max Zander slips into the role of the "clown". Hunted by the police, he fights crime under the cover of his mask.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
