Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.