This visual essay, narrated by Anton Yelchin, focuses on the production history at High Noon. Included with the essay are plenty of very rare and archival promotional materials
Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival.