"We'll title this tape, "Planet Earth About to be Recycled - Your Only Chance to Evacuate is to Leave With Us." Planet Earth about to be recycled - Your only chance to survive or evacuate is to leave with us. Now, that's a pretty drastic statement - pretty bold - in terms of religion, in terms of anybody's intelligent thinking. To most people who would consider themselves intelligent beings, they'd say, "Well, that's absurd. What's all this doomsday stuff? What's all this prophetic, apocalyptic talk?" You know, intelligent human beings should realize that all things have their own cycle. They have their season. They have their beginning, they have their end. We're not saying that planet Earth is coming to an end. We're saying that planet Earth is about to be refurbished, spaded under, and have another chance to serve as a garden for a future human civilization."
After being denied access to the Church of Scientology's headquarters, documentarian Louis Theroux teams up with ex-Scientology official Marty Rathbun to stage re-enactments of alleged abuses within the organization.
Peabody Award winner Linda Moulton Howe and other experts explore the enigma of the colossal stone pyramids encircling our planet, both their purposes and the incomprehensible technology behind their creation.
A group of teenagers go out to a den in the woods for a night of drinking, unaware that their behaviour touches on issues of ritual, folklore, mysticism and UFOs.
After Dan Brown's publishing phenomenon The Da Vinci Code was cleared of plagiarism charges, this documentary explores the climate which has permitted a fictional story to make such an effective challenge to conventional history that it has forced a counter-attack from the Church, the art world and academics.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
