The “constants” that describe the real world. That sequence of numbers, like an incantation, guarantees this world that feels undeniably real to us. And while sustained by them, we observe the world. Within the diffuse reflections of our countless gazes, the world is constructed inside us. The constructed world, in turn, begins to weave its own “constants.” To be observers; could that not be the very reason for our existence?
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
During the general elections of 1994, Tunin, a mechanic with a firm belief in communism fears that his party is about to lose, so he journeys to a northern village to stir up trouble.
A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Comments
Have you watched POINT 1415 yet? What did you think about it?
