Double-printed thinnest possible lines and multiple dots of pale color interwoven with sweeps of linear tones in swiftly transversing motion, all deepening from this almost white field of flitting activity to some solidification of forms.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.
Legendary secrets are revealed as Aladdin and his friends—Jasmine, Abu, Carpet and, of course, the always entertaining Genie—face all sorts of terrifying threats and make some exciting last-minute escapes pursuing the King Of Thieves and his villainous crew.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense.