...again, is "plein-aire abstraction" as defined above (painted in New York City) – with, for example, even a correctly toned green impression of The Statue of Liberty – and, then, impressions of Toronto with its architectural particularities appearing, midst hurrying people – shapes (almost as if photographed at times). This segment is Double-Printed (i. e., two frames for every painted one).
As two brothers watch a news cast about extra terrestrial beings, the older brother uses the opportunity to make an analogy about their world being invaded by unwelcome visitors.
The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house.
Three delegates from Sweden, Norway and Finland are gathered in Lapland to decide which piece of art should be placed at the border of their countries.
In the year 2197, Ridley, the "first" true sentient robot, wakes up in a desert; he's stranded and must find his omni-drive, a device that stabilizes his emotions and enhanced capabilities, before scavengers destroy it, or worse, before his jealous brother D2 finds it.
The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
