Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964.
A nostalgic journey through ’80s Sci-Fi-films, exploring their impact and relevance today, told by the artists who made them and by those who were inspired to turn their visions into reality.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Iggy and the Stooges, live at The Hordern Pavilion in Sydney on April 2, 2013. It was an old-school punk party complete with stage invasions, crazy crowdsurfing and an arsenal of punk anthems – it’s Iggy and The Stooges‘ scorching Sydney show!
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album.
The Captains' Summit documents the first time in Star Trek history that four stars who at some point have played Captains in Star Trek (William Shatner, Patrick Stewart, Leonard Nimoy, Jonathan Frakes) have been brought together for a 70-minute rare and unprecedented round table event.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
