Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.
In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew.
Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang.