This hand-painted step-printed film begins with "explosions" of white, yellow, orange (deepening into reds), vermillion, and darker red flame shapes. Then there are anatomical beseeming solid yellows against flickering reds. Multiple dissolves of all previous forms and flickering shapes interspersed with blacks and replaced by "dolly in" movements (of the same) interspersed with white, then increasingly with lengthening blacks which finally gives way to a single vermillion/purple burst of flowery form.
A jaded Lower East Side couple have become bored of straight sex, in a bid to spice things up, they decide to imitate some rough sex scenes as seen on TV.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
Mari is a high school teacher who is earnest and somewhat cold. Tired of her monotonous days, she discovered a secret game: wandering around Roppongi at night and seducing men.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
