Shirley MacLaine was the product of a strict middle-class background from which she and her brother, the future actor Warren Beatty, escaped into the fantasy world of show-biz. Her ballet training and her long-legged pixie charm led to rapid success on Broadway in musical comedy. Inevitably, Hollywood called and by 1955 Shirley was cast in Hitchcock's "The Trouble With Harry." It wasn't too long before the fine dramatic roles also came to her opposite the most popular leading men of the time, like Fred MacMurray, Jack Lemmon, Frank Sinatra, Clint Eastwood and Robert Mitchum.
Your War (I'm One Of You) chronicles the life and career of Chicago's Tim Kinsella, frontman of ever-shifting band Joan of Arc and '90's pioneers Cap'n Jazz.
Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.
An account of the life and work of Spanish actress Penélope Cruz: a long journey that began in the working-class neighborhoods of Madrid and ended in the hills of Hollywood.
A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
During the general elections of 1994, Tunin, a mechanic with a firm belief in communism fears that his party is about to lose, so he journeys to a northern village to stir up trouble.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
On the highway of life, Jerry's at a dead-end. Unemployed and still living at home with his parents, this thirty-three year old loser has no drive to better his life.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
