Only fifty years after the Holocaust, the world has allowed another genocide to take place, this time in Rwanda. In April 1994, the international community sat by and watched while a million Tutsi men, women and children were massacred in the central African nation. Sitting on a Volcano, the first volume in the three-part Rwanda series, follows the exodus of hundreds of thousands of Hutus who fled Rwanda to take refuge in neighbouring countries. One year after the slaughter, they find themselves trapped beween gangs of Rwandan war criminals in control of the refugee camps and their country's new masters, who show little interest in reconciliation. Sitting on a Volcano criticizes the international community, which continues to feed the killers in the refugee camps and refuses to acknowledge human rights violations in Rwanda.
Charn is working on his thesis to convert the Concert Hall project to Music Complex, and his advisor suggests him to see Gerrard for any information regarding the project.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
A doctor and his wife move to a new city where they plan to start a new life. However, trouble strikes in the form of a police inspector who gets completely obsessed with the doctor's wife.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
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