In this work's left panel, The Crossing (1996), a walking male figure is consumed by fire on a 27-foot vertical plasma screen projection while in the accompanying right panel, The Crossing, Video 2 (1996), the same man struggles under a deluge of water.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.