The Escape (of Marie Antoinette) is composed of layered and overlapping footage. The very title of the film encapsulates this willed contradiction, as Marie-Antoinette did not, of course, escape; she was captured and her extraordinary life brought to a violent and untimely end.
Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster.
Set on May 18, 1993—the day on which Denmark voted to join the European Union, just a few months after they'd voted not to do so—the film follows eight or so disparate Danes (an escaped mental patient, a newly-famous singer, a business executive, and their assorted families and cohorts) as they unwittingly alter one another's lives, for better and for worse.
Mari is a high school teacher who is earnest and somewhat cold. Tired of her monotonous days, she discovered a secret game: wandering around Roppongi at night and seducing men.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.