An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts. A documentary film talking about art and advertising divided in three parts: 1. Crossing Over - from cinema to ads from ads to cinema 2. Humour - How humour affects us in advertising 3. Shock - The way shock is used to sell
After years of requests, Nardwuar the Human Serviette has finally entered the digital age with a compilation of over 60 of his favourite video interviews.
A behind-the-scenes look at the making of Benny Chan's Invisible Target (2007) including interviews with the major stars of the film and the production crew.
On April 8th 1994, Kurt Cobain - the lead singer of post-punk band Nirvana - was found dead in his Seattle home of an apparent shotgun wound to the head and three times the lethal dose of heroin in his system.
Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan.
This documentary attempts to understand why so many comedians experience mental health issues, a condition that stands in stark contrast to their profession.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.
For over 60 years, Studs Terkel elevated the voices and experiences of everyday Americans through his skillful interviews on radio, in books and on TV.
William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.
Alternative movies trailers for The Fine Art of Separating People from Their Money
More movie trailers, teasers, and clips from The Fine Art of Separating People from Their Money:
0003 - adam gisborne - benson & hedges bars (the fine art of separating people from their money)
holding old possessions what they mean to me? my past is all just nothing can't carry it with me let go of the memories such darkness inbetween so much ...
Popular movie trailers from 1996
These some of the most viewed trailers for movies released in 1996:
The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
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